(China Each day) A brand new TV sequence tailored from the writing of prolific Hong Kong writer, Yi Shu, is discovering an appreciative viewers for its sturdy, well-rounded feminine protagonists and lifelike depiction of recent girls’s friendships, Xu Fan studies.
With most of her novels vividly portraying clever and exquisite girls striving for achievement within the metropolis, Hong Kong author Isabel Nee Yeh-su－higher recognized by her pen title Yi Shu－has captivated readers for greater than half a century.
As the most recent adaptation of her novel The Golden Years, which was first printed in 1987, the 38-episode My Finest Good friend’s Story has not too long ago made a splash on-line.
Hashtags containing the drama’s title have generated 3.5 million posts and 1.2 billion views on the microblogging platform Sina Weibo. The TV sequence has additionally grow to be a incessantly searched subject on some social media platforms, from the nation’s largest question-and-answer web site, Zhihu, to the brief video app, Douyin.
For the drama’s scriptwriter Qin Wen and director Shen Yan, the work marks their second collaboration, following the 2017 TV sequence The First Half of My Life－a tv adaptation of one other of the writer’s novels which tells the story of a hardworking single mom－as they create to life the charming protagonists penned by Yi Shu.
“We did not anticipate the TV sequence to be so in style,” recollects Qin, throughout a phone interview with China Each day. “Extra importantly, although, it has helped Yi Shu’s novels to draw contemporary consideration from movie and tv manufacturing corporations.”
Using on the wave of the success of The First Half of My Life, the manufacturing firm New Traditional Media bought the copyright of The Golden Years, casting Ni Ni and Liu Shishi－each ranked among the many hottest feminine stars of their age group－to characterize the 2 protagonists.
As an effort to localize the unique story which takes place in late Eighties Hong Kong, the TV sequence brings the timing nearer and switches its location to modern Shanghai, the worldwide metropolis which Qin believes bears the most effective resemblance, within the phrases of persona and spirit, to the setting in Yi Shu’s novel.
The story focuses on finest mates Jiang Nansun and Zhu Suosuo－performed by Liu and Ni, respectively－who lead fully completely different lives, however all the time help one another it doesn’t matter what, whether or not one is trapped in a doomed affair or the opposite is struggling along with her profession.
Within the story Zhu is younger when her dad and mom cut up up and he or she is shipped to reside along with her uncle’s household. Self-taught, she grows to be streetwise, but refined. After touchdown a job in high-end property gross sales, she works diligently, however her lovely seems and ambition make her a topic for the workplace rumor mill.
Jiang is sort of the other, as she grew up in a wealthy household. Her house is an opulent villa in downtown Shanghai’s Fuxing Road. Her life is filled with high-end manufacturers and costly hairstylists. Even throughout routine dinners at house, the household’s desk is served with dozens of mouthwatering dishes cooked by a nanny. Nevertheless, Jiang believes she is sort of a chook imprisoned in a golden cage and goals to flee.
Similar to the frequent viewer, Qin says she has sat, curled up on the couch, to look at the most recent episodes, as she’s barely visited the movie units of her tales.
“I like each of the 2 main actresses, whose pure appearing chops authentically convey to lifetime of the 2 characters. Liu Shishi matches the temperament of her well-educated character, who’s light but unyielding, whereas Ni Ni vividly portrays an formidable and magnanimous lady,” says Qin, a Shanghai native herself, who graduated from the Central Academy of Drama.
A prolific author who, alongside the late martial arts novelist Louis Cha and sci-fi author Ni Kuang, grew to become dubbed as one of many “three prime miracles” within the golden age of Hong Kong literature, Yi Shu has penned round 300 books, most of which function sturdy feminine characters and are written briefly and sharp sentences that belie their thought-provoking depth.
“Yi Shu’s wording is a strong attraction that simply attracts you into the story’s ambiance, however what makes Jiang and Zhu’s story fairly relatable is their enduring friendship,” says Qin. “It makes me imagine that friendship can stand the take a look at of time significantly better than love.”
Nevertheless, the writer’s tales are extensively believed to be a tough process in the case of being tailored for the display screen, on account of their scarcity of plot twists and character growth arcs. Qin reveals that she writes biographies for each main character earlier than beginning to pen the script.
“In most of Yi Shu’s novels, male characters come and go and are sometimes fleeting, including to the problem in adapting her work right into a TV drama, as viewers are used to seeing a serious character exist by way of the whole lot of the story,” Qin additional explains.
So, she fictionalizes a number of main male characters, together with a succesful gross sales supervisor and a nosy secretary, and in addition provides content material to counterpoint the personalities of the male characters who’re initially featured in The Golden Years.
Moreover, she interviewed architects and actual property business insiders to be taught particulars about their professions and careers, serving to her to extra precisely create scenes at building websites and within the workplace. Likening her mind to a cupboard with many drawers, Qin says that she has grow to be used to observing folks whereas she’s out, sorting their distinctive traits into the assorted “drawers”.
“The most important pleasure of working as a scriptwriter is that I can ‘grow to be’ any of my characters, respiratory life into them and experiencing their joys and sorrows,” says Qin.
For some critics and tv present researchers, the recognition of My Finest Good friend’s Story exemplifies the rising demand from the home viewers for TV dramas and movies with sturdy, impartial feminine characters.
Wang Yichuan, a literature professor at Beijing Regular College, says that China’s four-decade-long reform and opening-up has raised the standing and training degree of ladies.
“There are fantastic girls in all walks of life in our society, offering inspiration for TV sequence and movies. All these works replicate the general public’s recognition of ladies’s contribution and dedication,” says Wang, citing such hit tv dramas as Nothing however Thirty, Expensive Missy and Twenty Your Life On.
Lu Rong, a TV analysis professor with the Communication College of China, says China’s female-led TV sequence have already formed an enormous viewers base, however means that creators take better care to look at actual life so as to make the tales extra lifelike.
Supply: By Xu Fan | China Each day | Up to date: 2021-01-22 07:48